Production resources

Guides for artwork, decoration, files, colour, size and packaging, so every sample and restock follows the same specification.

Production guides

Artwork Guide

Prepare marks so screen, film and stitch share one file. Lock placement and scale before sampling so production runs the art you approved.

Include finished size, placement notes and any Pantone references. That specification stays with the job from sample through every reorder.

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Decoration Guide

Choose screen, embroidery, DTF or DTG for the blank, the artwork and how the garment will be worn, not a single default process.

Once the sample is approved, ink, density and film stay on file so later cartons match the piece you signed off.

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File Requirements

Vector, raster and stitch files ready for production, with colour mode, outlines and resolution recorded against the job.

Send working files: outlined fonts, 300dpi at print size for raster, and named colour. Avoid flattened previews alone.

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Colour Guide

Align ink, thread and fabric to a recorded target. Pantone and strike-offs are held from the approved sample so hue stays consistent across restocks.

When cloth or ink systems differ, the locked sample takes priority, that decision is written into the job, not left to the floor.

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Size & packaging

Size Guide

Measurements for tees, hoodies, sweats and caps. Grade once against the blank you sampled so later cartons stay consistent across seasons.

Chest, length and fit notes travel with the programme, reorder sizes match the sample you approved.

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Packaging Guide

Inner presentation, counts and outer cartons specified with the garment, so each destination leaves in the right format for retail, team or direct ship.

Pack specs sit with decoration on the same job. Fulfilment does not invent a carton after the run is complete.

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Downloads

Templates and spec sheets, available before you brief production.

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Colour locked on fabric

Colour that holds

Work to a recorded target. Ink, thread and fabric are struck to the approved sample so restocks do not reinvent hue between drops.

Pantone helps when the blank and process allow; the locked sample still takes priority when cloth or ink systems differ. That specification travels with the job from sample through every carton.

Keep a physical or digital swatch with the brief. When a new blank or ink system arrives, we re-strike against that target once, then every later carton follows the same recorded colour.

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Production files on brief

Files press can read

Vector outlines, stitch files and print-ready raster, named and versioned so production runs the file you approved, not a redraw mid-run.

Send the working file, not a flattened preview. Outlined fonts, 300dpi at print size for raster, and a named colour mode keep the sample and the production run on the same art.

When the brief changes, we revise the locked file once, then every later carton follows that version without rebuilding the job from scratch.

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Resource FAQs

Questions about these guides, files and downloads. For programmes, sampling and fulfilment, see the main FAQs.

Artwork, decoration methods, press-ready files, colour, size and packaging, the specifications that keep a sample and a restock aligned.

Each guide is practical and focused. Open the one that matches the decision you are locking now.

Vector with outlined fonts for type and crests; 300dpi raster at print size for photography. Stitch files should match the blank you sampled.

Flattened PDFs or screenshots alone are not enough to produce from, keep the working file with the job.

Strike colour on the approved sample, then grade against the Size Guide for that blank. Pack-out sits in the Packaging Guide so cartons leave in the format each destination needs.

Lock hue, grade and pack with the decoration method, later cartons should not invent a new target on the floor.

Request placement grids and spec sheets when you start a project. They are issued against the blank and method you lock, not as a generic public pack.

If the blank or method changes, ask for an updated sheet rather than editing an old grid by hand.

Begin with Artwork, then Decoration, then Files, colour, size and packaging once the mark and method are clear.

For how Super Easy programmes, samples and fulfilment work overall, open the main FAQs.

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